Network is an important film.All of you should watch it, but you probably won't.
Luckily, I'm here to tell you why it's important and to provide a few YouTube highlights for your perusal.
The 1976 film, written by Paddy Chayefsky and directed by Sidney Lumet follows the story of one Howard Beale (a role that earned Peter Finch a posthumous Academy Award) and his progression from being a beloved news anchor to being a "mad prophet of the airways."
When Howard's ratings slip, he's informed by his producer and longtime friend Max Schumacher (another stellar performance from William Holden) that he is going to be let go. Despondent, feeling that he has nothing left to live for, Beale announces on-air that he is going to commit suicide. This mark's the beginning of Howard's mental decline which sees him continue to tell a live television audience that he "just ran out of bullshit" and ultimately deliver a series of long, passionate rants about subjects ranging from the state of society to the propagandist nature of television.
The film also follows the evolving relationship between Schumacher and Diana Christensen (Faye Dunaway), an ambitious, up-and-coming producer that uses Beale's poor mental health as a method to gain ratings for the struggling UBS network.
The mood of the film cleverly alternates between black humor and dire seriousness, while keeping up a very pointed social commentary throughout. It is never lost on the audience that despite Howard Beale's apparenty insanity, he is the most honest and (strangely enough) sane character in the film. His tragedy is that he borders on being a force for real social change, but ends up being a lone voice crying the wilderness, the only one who sees our world for what it really is.
The most important, and ultimately, the eeriest aspect of the film is how prescient it is of the way that the media has evolved in the decades since Network was released. One can only wonder what a modern-day Howard Beale would have to say about the internet, when he's already so critical of how television has turned us into mindless drones that, "dress like the tube, eat like the tube [and] raise [our] children like the tube." Furthermore, one of Beale's speeches directly anticipates the arrival of completely biased networks like Fox News that peddle "shit for truth" in the employ of large, global corporations.
Furthermore, the period that Network represents, the late 70's, is very reminiscent of our own; economic crisis, climate crisis, war, and a complete lack of faith in the government run rampant. Network takes a stand against the destruction of the spirit of the individual in the modern age, which Beale summarizes in his moving statement, "I'm a human being goddammit! My life has value!" a sharp contrast to the pro-Capitalist speech delivered by corporate CEO Mr. Jensen during the film's climax. The impressionable Beale changes his stance in favor of Jensen's philosophy of global capitalism, a decision that leads him to his demise.
Network reaffirms the worth of the human spirit in the wake of the soul-crushing nature of modern society, without taking a particular political stand. We can seize back our individual power, and we can change things for the better but first we've got to get mad. Howard Beale want's us to get up, go to our our windows, stick our heads out and yell, "I'm as mad as hell and I'm not going to take this anymore!" It's one of the most famous, and disturbing, scenes in cinema.
Watch it. Learn a few things.
This city deserves a better class of homosexual.















